Just Rhodes Premiere – Music for Contemplation

Date: January 22, 2026
Time: 8:00 pm

On Thursday, January 22, 2026, 8:00 pm at the Old Stone House in Washington Park in Brooklyn, Andrea Lodge will premiere works for JUST RHODES, a program of newly commissioned works for a restored 1975 Rhodes electric piano in just tuning. The event will include premieres by composers Elizabeth AdamsGelsey BellChristina CampanellaJack CallahanJames IlgenfritzDan JosephErin Rogers and David Watson.

Thurs, Jan 22 // 8pm
Old Stone House
336 3rd Street
Brooklyn, NY 11215
Tickets

JUST RHODES has been four years in the making. The first idea came from Craig Shepard, while listening to Larry Polansky’s Piano Study #5. It began with a full restoration of a Rhodes electric piano: Hammers, damper arms, damper felts, tone bar screws and grommets were all replaced. Electronics soldered, and the keys squared and leveled. Then the instrument was voiced.

January 11, 2026

Musica Reginae presents Hypercube // Queens

Date: January 24, 2026
Time: 7:30 pm

Musica Reginae presents Hypercube: Thinking Outside the Box. Presenting works by Ricardo Gallo, XY Mike Zhou, Jason Zhang,

Saturday, Jan 24, 2026 // 7:30pm
Church-in-the-Gardens
50 Ascan Avenue
Queens, NY, 11375
More Info: Musica Reginae + Tickets

January 11, 2026

House on Fire: Carbon Copy (world premiere commission) presented by pianoSpheres // Los Angeles

Date: February 10, 2026
Time: 8:00 pm

February 10, 2026 // 8pm
Arts + Archives
2220 Beverly Blvd.
Los Angeles, CA 90057
More Info + Tickets

House on Fire, a trio consisting of Andrew Anderson, Wells Leng, and Richard An, was formed around their common interest in new music and is centered around their shared focus as pianists. When performing or commissioning repertoire for three pianists, we frequently encounter the matter of homogeneity: How do you write for three people who ostensibly do the same thing? The pieces on this program each contend with the “three pianist” conundrum in different ways. Some put the performers on keyboards of distinct timbres to encourage a multiplicity of sounds. Others play into the “sameness” and employ the implicit uniformity of the keyboard to create a selfsame texture.

PROGRAM:
Tristan Perich – qsqsqsqsqqqqqqqqq
Erin Rogers – Cold Countries (world premiere commission)
Wells Leng – new work, for two pianos and percussion
Erich Barganier – selections from Interstate Glitches
Matthias Kranebitter – Pitch Study no. 2
Richard An – new work, for two pianos and percussion
Yifeng Yvonne Yuan – I wrote you a letter. (A letter is what I wrote to you.)

BIOGRAPHY:
House on Fire is a new music ensemble consisting of Wells Leng, Richard An, and Andrew Anderson. Though centered around their shared focus as pianists, each member’s multi-instrumentalism allows for expanded repertoire including cello, percussion, toy piano and other keyboard instruments.

Close friends since their time at the California Institute of the Arts, the group was formally introduced in December 2021, and is dedicated to the performance of new and experimental music, as well as the work of Southern California composers, championing the music of its own members and close collaborators.

We get along like a house on fire.

House on Fire is the Piano Spheres 2025-26 Emerging Artist.

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 12, 2026
Time: 7:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 13, 2026
Time: 7:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 14, 2026
Time: 7:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 15, 2026
Time: 2:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 16, 2026
Time: 7:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 19, 2026
Time: 7:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026

Mano a Mano by Paul Pinto // LA MAMA, NYC

Date: February 20, 2026
Time: 7:00 pm

MANO A MANO: an operatic monodrama by Paul Pinto – February 12-22

LA MAMA Experimental Theatre
Ellen Stewart Theatre
66 E 4th St
New York, NY

A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA

Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.

Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.

Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli

January 15, 2026