MAR 13 | WED 7:30 PM Greenfield Hall
130 Claremont Avenue
New York, New York 10027 FREE & open to the public
more info
FEATURING
Dennis Sullivan, percussion and electronics
Gelsey Bell and Paul Pinto, voice
Erica Dicker, violin
Alec Goldfarb, electric guitar
PROGRAM:
ALEC GOLDFARB and ERIN ROGERSfrom a cobwebbed heap GELSEY BELL and ERIN ROGERSSkylighght QIUJIANG LEVI LUFrom Me, To You ERIN ROGERSHigh Lonesome (World Premiere)
Tuesday, March 5, 2024 @ 7:30PM
Shea Recital Hall 101
William Paterson University 300 Pompton Rd, Wayne, NJ 07470
Free admission and open to the public
New Music Quartet HYPERCUBE has built a reputation on high-energy performances with impressive execution. The NYC-based quartet embraces the boundaries of chamber music, featuring cutting-edge works for saxophone, guitar, piano and percussion, while spanning electric and acoustic worlds. HYPERCUBE is Erin Rogers (saxophones), Jay Sorce (classical & electric guitar), Andrea Lodge (piano & accordion), and Chris Graham (percussion).
More information: https://www.wpunj.edu/wppresents/wp-music/new-music.html
The Brandeis Department of Music presents over 60 concerts each year in the Slosberg Recital Hall—a one of a kind acoustical gem—as well as locations across the Brandeis campus. March 2nd New Music Brandeis presents Hypercube, performing works by Graduate Students Composers.
Saturday, Mar 2 // 7:30pm
Slosberg Music Center
415 South Street
Waltham, MA 02453
“[opera captions]” by Jay Afrisando reimagines what captions as an “actor” can do beyond functioning as a communication conveyor and sound interpreter in audiovisual media. What if captions ‘step up,’ ‘speak,’ and ‘tell’ their stories?
“[opera captions]” focuses on captions bringing together accessibility, inner-imagined voices, and creativity. The music-theater-film-translation-poetry performance “[opera captions]” reimagines what captions as an “actor” can do beyond functioning as a communication conveyor and sound interpreter in audiovisual media while interacting with and personified by humans: New York composer-performers collective thingNY and viewer-audiences. “[opera captions]” invites you to celebrate the lives of captions that have been both cherished and hated.
Sat., Feb. 24, 2024
Doors at 8pm | Show at 8:30pm
Indexical
1050 River St. #119
Santa Cruz, CA 95060
$20 General / $15 Members / $10 Student
Thursday, February 15, 2024 // 7:30pm
Recital Hall
School of Music
Penn State College of Arts and Architecture
124 Borland Building
University Park, PA 16802
Free, open to the public
Tactus Ensemble: Contemporary Chamber Music at Manhattan School of Music
As Co-Artistic Director of Tactus Contemporary Chamber Music, my colleague Matt Ward and I are thrilled to invite you to 6 concerts of chamber music this year featuring students of Manhattan School of Music’s Contemporary Performance Program. All concerts are free. Please join us on the Upper West Side this season.
Wed, FEB 14 | 7:30 PM
Tactus Ensemble features students of the Contemporary Performance Program (CPP)
CONTEMPORARY PERFORMANCE PROGRAM Matthew Ward and Erin Rogers, Artistic Directors
PROGRAM: Landscape of Fear by Marcos Balter Mother Earth by Erin Rogers La Gel, par Jeu by Gerard Pesson Portal by Andy Akiho Abyss: Refractive by Ashkan Behzadi Changing Light by Kaija Saariaho
Music on the Edge presents Hypercube as part of their 2023-24 Season. Co-directed by Eric Moe, Mathew Rosenblum, and Amy Williams, Music on the Edge (MOTE) presents about six concerts each year featuring visiting artists as well as the Music on the Edge Chamber Orchestra, conducted by Roger Zahab. The series is devoted to the performance of contemporary music by professional musicians. Hypercube has built a reputation on high-energy performances with impressive execution. The NYC-based quartet embraces the boundaries of chamber music, featuring cutting-edge works for saxophone, guitar, piano and percussion, while spanning electric and acoustic worlds.
In addition to Hypercube ‘s core repertoire, the concert will feature music by Pittsburgh-based composers Annie Hui-Hsin Hsieh, Amy Williams, and Charles Peck.