TIME @ The Brick Theater

thingNY & Panoply Performance Laboratory present:

TIME: a complete explanation in three parts

Performances May 4, 5, 6 and 7 at 7pm and May 12, 13, and 14 at 9pm

The Brick Theater
575 Metropolitan Avenue
NY 11211
(L to Lorimer/G to Metropolitan)

tickets: $18 (not on sale until April)

A new theatrical multimedia work collaboratively written and performed by thingNY and the Panoply Performance Laboratory. The Panoply Performance Laboratory (PPL) is a performance co-operative formed by Esther Neff and Brian McCorkle. PPL creates music-driven, documentary-based performance works with a diverse array of collaborators, from all disciplines, fields, and walks of life. Additionally, PPL is dedicated to sustainable practices such as the use of recycled and found materials in their production of portable, low-budget “educational” performance art for a diverse audience. Read more about PPL here.

Visit the TIME page! http://www.thingny.com/time/

March 24, 2011

TIME @ The Brick Theater

thingNY & Panoply Performance Laboratory present:

TIME: a complete explanation in three parts

Performances May 4, 5, 6 and 7 at 7pm and May 12, 13, and 14 at 9pm

The Brick Theater
575 Metropolitan Avenue
NY 11211
(L to Lorimer/G to Metropolitan)

tickets: $18 (not on sale until April)

A new theatrical multimedia work collaboratively written and performed by thingNY and the Panoply Performance Laboratory. The Panoply Performance Laboratory (PPL) is a performance co-operative formed by Esther Neff and Brian McCorkle. PPL creates music-driven, documentary-based performance works with a diverse array of collaborators, from all disciplines, fields, and walks of life. Additionally, PPL is dedicated to sustainable practices such as the use of recycled and found materials in their production of portable, low-budget “educational” performance art for a diverse audience. Read more about PPL here.

Visit the TIME page! http://www.thingny.com/time/

March 24, 2011

TIME @ The Brick Theater

thingNY & Panoply Performance Laboratory present:

TIME: a complete explanation in three parts

Performances May 4, 5, 6 and 7 at 7pm and May 12, 13, and 14 at 9pm

The Brick Theater
575 Metropolitan Avenue
NY 11211
(L to Lorimer/G to Metropolitan)

tickets: $18 (not on sale until April)

A new theatrical multimedia work collaboratively written and performed by thingNY and the Panoply Performance Laboratory. The Panoply Performance Laboratory (PPL) is a performance co-operative formed by Esther Neff and Brian McCorkle. PPL creates music-driven, documentary-based performance works with a diverse array of collaborators, from all disciplines, fields, and walks of life. Additionally, PPL is dedicated to sustainable practices such as the use of recycled and found materials in their production of portable, low-budget “educational” performance art for a diverse audience. Read more about PPL here.

Visit the TIME page! http://www.thingny.com/time/

March 24, 2011

TIME @ The Brick Theater

thingNY & Panoply Performance Laboratory present:

TIME: a complete explanation in three parts

Performances May 4, 5, 6 and 7 at 7pm and May 12, 13, and 14 at 9pm

The Brick Theater
575 Metropolitan Avenue
NY 11211
(L to Lorimer/G to Metropolitan)

tickets: $18 (not on sale until April)

A new theatrical multimedia work collaboratively written and performed by thingNY and the Panoply Performance Laboratory. The Panoply Performance Laboratory (PPL) is a performance co-operative formed by Esther Neff and Brian McCorkle. PPL creates music-driven, documentary-based performance works with a diverse array of collaborators, from all disciplines, fields, and walks of life. Additionally, PPL is dedicated to sustainable practices such as the use of recycled and found materials in their production of portable, low-budget “educational” performance art for a diverse audience. Read more about PPL here.

Visit the TIME page! http://www.thingny.com/time/

March 24, 2011

‘TIME’ and ‘The Costume Box’ at DIXON PLACE

Work-in-progress showing with Alison Ward

Dixon Place
161A Chrystie Street
New York, NY 10002
Btwn Rivington & Delancey
(F to 2nd Ave, J to Bowery, B, D to Grand, 6 to Spring)

tickets: $12/10 here: https://www.ovationtix.com/trs/pe/8937905

TIME: a complete explanation in three parts

A new theatrical multimedia work collaboratively written and performed by thingNY and the Panoply Performance Laboratory. The Panoply Performance Laboratory (PPL) is a performance co-operative formed by Esther Neff and Brian McCorkle. PPL creates music-driven, documentary-based performance works with a diverse array of collaborators, from all disciplines, fields, and walks of life. Additionally, PPL is dedicated to sustainable practices such as the use of recycled and found materials in their production of portable, low-budget “educational” performance art for a diverse audience. Read more about PPL here.

http://www.thingny.com/time/

March 11, 2011

Secret Series: Melanie Sehman, percussion

Secret Series

presents

Melanie Sehman, percussion
Saturday, March 12th @ 8pm

Secret Theatre
4402 23rd Street

Long Island City, NY 11101-5000

admission: $15 person

On solo vibraphone, percussion and electronics, Ms. Sehman brings together a series of newly commissioned works relating or responding to Morton Feldman’s classic multiple percussion solo, The King of Denmark. This program features new and recent works from composers Cenk Ergun, Ryan Manchester, Jordan Munson, Casey Farina and Ben Hackbarth. The vibraphone has been an essential part of contemporary art music for the past thirty years, with an intimacy, richness and depth of sound unrivaled by other percussion. Each of these composers approaches the relationship of the acoustic and electronic sounds in a unique way, ranging from the creation of hyper-extended instrumental space and sound spatialization to real-time sound processing at varying sample rates to works which exploit the pure acoustics of the instruments themselves. Together these works explore the boundaries between acoustic and electronic sound.

Please join us!

Melanie Sehman is a percussionist living in Brooklyn, New York and specializing in contemporary music. She performs frequently as soloist, and with the piano/percussion duo Access New Music, Duo RoMi+Me, Eastman BroadBand, and as one-half of the Proper Glue duo. Recent performancesMelanie Headshot include chamber music at the Banff Centre for the Arts, the Bang on a Can Summer Festival, Issue Project Room, Tribeca Performing Arts Center, Indiana University and the Park Avenue Armory, with upcoming performances at Symphony Space, the Americas Society, Princeton University and the Bellingham Electro-Acoustic Music Festival. Dedicated to the creation and promotion of new music, Melanie has worked closely with several composers including Julia Wolfe, John Luther Adams, Mark Applebaum, Carlos Sanchez-Gutierrez, Robert Morris, Aaron Travers, Martin Scherzinger, Jacob Bancks and others. Melanie received her Doctor of Musical Arts degree from the Eastman School of Music where she was also awarded the prestigious Performer’s Certificate. She is currently Assistant Professor of Music at the City University of New York Queensborough.

February 5, 2011

Secret Series: The Puppet’s Tale by Carlos Cordeiro

Carlos Cordeiro performs exciting works for clarinet by influential composers in a carefully selected program featuring live performance with electronics and narrator. The Puppet’s Tale tells a story as it moves from piece to piece.

Join us for the first concert of this inaugural series!

Saturday, February 12th @ 8pm
Secret Theatre
4402 23rd Street
NY 11101-5000

tickets: $15/door

Carlos Cordeiro began his clarinet studies at the age of 13 years old when he entered the Conservatório de Música de Coimbra where he studied with Osvaldo Lemos, Paulo Vicente and Henrique Pereira. He has worked with a wide range of orchestras and ensembles such as the Orquestra Clássica do Conservatório de Coimbra, Orquestra dos Conservatórios Nacionais, Orquestra Sinfónica Juvenil, Banda Sinfónica Portuguesa, Orquestra Mare Nostrum, Orquestra Sinfonietta da ESMAE, Shepherd School Chamber Orchestra and Shepherd School Symphonic Orchestra, Manhattan School of Music Chamber Jazz Orchestra. Member of Tactus Ensemble. Former member of DaCamera Young Artists in Houston, Texas. He has toured Spain, Italy, France, Switzerland, Germany, Hungary, and Russia as a
member of these ensembles. Mr. Cordeiro has performed in masterclasses with teachers Luís Silva, Quarteto de Clarinetes de Lisboa – Nuno Silva, Joaquim Ribeiro, Rui Martins and Luís Gomes, Etienne Lamaison, César Ramos, Bruno Graça, Iva Barbosa, António Rosa, Nuno Pinto, Alain Damiens, Philippe Cuper, José Luis Estellez, Philippe Berrod, Eddie Vanoosthuyse, Robert Walzel, Larry Combs, Michel Letiec, Todd Palmer, Enrique Pérez y Piquer, Alexander Romansky, Elsa Ludwig-Verdehr, Joaquin Valdepeñas, Juan Eric Lluna, Ronald van Spaendonck and António Saiote. While attending the Escuela Internacional de Música Oviedo Joven, Mr. Cordeiro
worked solo and chamber music with António Saiote, Yuri Nasushkin, Alejandro Zabala, and Robert Canetti. He has played under many different conductors such as Pierre Boulez, António Saiote, Justin DiCioccio, Yuri Nasushkin, Robert Canetti, Ernest Schell, JanCober, Luís Carvalho, Cristian Macelaru, Richard Bado, Larry Rachleff, in a wide range of ensembles and genres, from the opera to the chamber orchestra. Mr. Cordeiro has won 2nd prize in the International Competition of Young Performers, and 2nd prize in the Fernando Valente Competition in Aveiro, Portugal, where has performed Henri Tomasi’s Concerto for Clarinet and Orchestra with Orquestra Filarmonia das Beiras, conducted by António Saiote. Mr. Cordeiro shares a huge passion for contemporary music and has world premiered
numerous pieces, many which have been composed especially for him such as “Algo Rítmico ” by Filipe Lopes, (Lousada, 2007), “The Birth of Aphrodite” by Ângela Ponte (Porto, 2006), “Tríptico II” by Carla Oliveira (Lousada, 2007), “Venationes” (Lousada, 2007) and “Reflections III” , for solo bass clarinet (Lisboa, 2007) by Joel Monteiro, “Perdido” (Porto, 2007) for Bb clarinet/bass clarinet and electronics by Filipe Lopes. He has premiered Marius Constant’s “For Clarinet” for solo Bb clarinet in
Portugal and Spain. Mr. Cordeiro had the opportunity to work with Ms. Joan Tower, with whom he recorded for KUHF (Houston, TX) and has previously recorded contemporary music for RDP (Portugal). Member of Lucerne Festival Academy, with artistic director Pierre Boulez, in 2009. Mr. Cordeiro holds a Bachelor Degree of Music from the Escola Superior de Música e Artes Espectáculo under the tutelage of António Saiote and Nuno Pinto and a Master’s Degree from the Shepherd School of Music at Rice University where he studied with Dr. Michael Webster. Currently is pursuing a Masters Degree in Contemporary Performance at Manhattan
School of Music, New York, with David Krakauer.

carlosintwombly

February 4, 2011

announcing: The Secret Series

On behalf of Random Access Music and the Secret Theatre, I am pleased to welcome you to the first annual Secret Series, a New Music Concert Series that will take place from February through June 2011, featuring artists and musicians from across the country as they present their unique programs. Our line-up includes multimedia works with live sound processing and video, theatrical, choreographed works with live instrumentation, acoustic chamber music, and ensembles specializing in improvisation. I sincerely hope you will join us for as many evenings as you can.

The Secret Theatre is located at 44-02 23rd St. Long Island City, Queens. Directions can be found at www.secrettheatre.com.

Be sure to mark the following dates in your calendar:

Feb. 12,
Carlos Cordeiro
A Puppet’s Tale

Mar. 12,
Melanie Sehman
Percussion

Mar. 26,
Phyllis Chen & Rob Dietz
Down the Rabbit Hole

Apr. 9,
ThingNY & Panoply Performance Laboratory
Time: A Complete Explanation in Three Parts

Apr. 30,
Kevin Baldwin
Electric Saxophone

May 20,
Random Access Music & Ursula’s End

June 26,
IMPULSE Ensemble

February 4, 2011

Answer the call for SPAM! Deadline Jan. 1

Before you do ANYTHING, click on this link:

http://www.thingny.com/spam/

December 3, 2010

Gotham Ensemble at Ann Goodman Recital Hall

Gotham Ensemble performs 6 premieres by Random Access Music composers for the renowned Messiaen ensemble (clarinet, violin, cello, piano) . Join us at Lincoln Center’s Ann Goodman Recital Hall for an evening of beautiful chamber music.

Saturday, March 5th, 2011 @ 8pm
Ann Goodman Recital Hall
129 West 67th Street
New York, NY  10023

admission: $20 adults/$15 students & seniors

GOTHAM-RAM copy

December 2, 2010