Passover Watch Party // thingNY YouTube Channel

Date: November 4, 2022
Time: 8:30 pm

FRI NOV 4 2022
PASSOVER WATCH PARTY
8:30pm ET

Set yourself a reminder to join us on YouTube for a trip back to Westchester County circa 2019 as we co-watch footage of us playing the entire album.

Album cover for Passover

Passover, a new album from composer-writer Rick Burkhardt performed by thingNY is now available in CD and digital download on Bandcamp

Five years back we commissioned one of our favorite sound poets Rick Burkhardt to make us a piece and it’s brilliant and multi-layered, and we are so happy to be putting it out into the world.

In Passover a sextet of speaking instrumentalists, seated around a dinner table with a double bass lying on it, take turns relating stories of escape. Beautiful recorded by Zach Herchen and beautifully designed and illustrated by Jason Tseng, the physical CD is an absolute peach and worth the extra few bucks, in our humble opinion.

The album marks the first time in a decade that a recording of Burkhardt’s remarkable compositions have been released, and the first time ever that one of his extended compositions has been released on an album. Burkhardt is an Obie award winner known for his intricate chamber pieces like Great Hymn of Thanksgiving and musically centered theatrical works like Three Pianos. His work fuses explorations of extended instrumental technique as in Helmut Lachenmann, use of compositional linguistics influenced by Kenneth Gaburo, an ear for American speech akin to Robert Ashley, and an experimental approach to narrative inspired by his favorite innovative playwrights, Adrienne Kennedy, David Greenspan, and Wallace Shawn.

November 4, 2022

Areté presents: Hypercube // Brooklyn

Date: November 1, 2022
Time: 7:30 pm

Areté presents: Hypercube

Tues, Nov 1, 2022 // 7:30 PM
Mise-En Place
341 Calyer St
Brooklyn, NY
Subway: G train to Nassau
$10 door / advance

HYPERCUBE has built a reputation on high-energy performances with impressive execution. The NYC-based quartet embraces the boundaries of chamber music, featuring cutting-edge works for saxophone, guitar, piano and percussion, while spanning electric and acoustic worlds. In this concert, Hypercube presents new works composed for them by Seong Ae Kim, Michael Fiday, and select participants from the 2022 Hypercube Composition Lab.

More info HERE

October 17, 2022

thingNY // Lincoln Center + NYPhil: David Geffen Hall Open House Weekend

Date: October 29, 2022
Time: 3:00 pm
October 6, 2022

Sydeboob Duo: Hello World @Scholes Street // Brooklyn

Date: October 27, 2022
Time: 7:00 pm

Thursday, October 27 // 7:00 PM
Scholes Street Studio
375 Lorimer St.
Brooklyn, NY 11206
Tickets

SydeBoob Duo presents “Turned On” – an evening of new and classic and new electro-acoustic and acoustic works for voice and flute:

O yes and I, Rebecca Saunders
Hello World, Erin Rogers
a new interpretation of Recitation no.9 , Georges Aperghis
there is only you and i, Brittany J. Green
Mid-day, Hannah Selin
Altra voce, Luciano Berio

More info: https://www.sydeboobduo.com/

October 12, 2022

David First @ Roulette, Brooklyn

Date: October 16, 2022
Time: 8:00 pm

David First and Musicians

Sunday, October 16, 2022 // 8:00 pm
$25 advance // $30 doors // $20 Student/Senior (door only w/ ID, Senior 65+)
doors 7pm

David First says that his new composition, Girders, is inspired by the work he’s long considered to be a central allegory for his life’s improvisatory path—the 1934 Popeye Theater cartoon entitled “A Dream Walking.” In the cartoon, Olive Oyl is seen sleepwalking through a construction site high above the city. At a crucial moment, just as she’s about to fall many stories to the pavement below, she steps onto a passing girder fortuitously swinging by. When she reaches the end of that girder, another comes along. This happens repeatedly until, finally, the girders miraculously transport her back safely to the open window where her unconscious adventure began.

As a way of tapping into, and possibly even celebrating, the tenuousness of life, players in this work for mixed ensemble and electronics are requested—like Oyl’s girders—to pass around various types of musical materials that will form a seamless and meaningful topography through the connective tissue of their co-operative efforts. Material sources range from the fixed 12-equal temperaments of piano, oboe, and marimba, the digital precision of laptop triggered just intonation drones and related polyrhythms, to the edge-dancing air of saxophone multiphonics, and barely controllable vintage analog test equipment broadcasting to transistor radios. Trombone and electric guitar—two instruments that are capable of plot points pretty much anywhere on that vibrational spectrum, can, in this case, be seen as the bridge between these extremes.

“Throughout the more than four decades of his career, [First] has jumped adroitly between styles and scenes, while reinvigorating those scenes from the inside.” —The New York Times

David First: high frequency signal generators, transistor radios, all digital audio and video programming
Katie Scheele: oboe, English horn
Erin Rogers: tenor saxophone
Sam Kulik: trombone
Tania Caroline Chen: piano
Danny Tunick: marimba
Ian Douglas-Moore: electric guitar
September 20, 2022