House on Fire: Carbon Copy (world premiere commission) presented by pianoSpheres // Los Angeles

Date: February 10, 2026
Time: 8:00 pm

February 10, 2026 // 8pm
Arts + Archives
2220 Beverly Blvd.
Los Angeles, CA 90057
More Info + Tickets

House on Fire, a trio consisting of Andrew Anderson, Wells Leng, and Richard An, was formed around their common interest in new music and is centered around their shared focus as pianists. When performing or commissioning repertoire for three pianists, we frequently encounter the matter of homogeneity: How do you write for three people who ostensibly do the same thing? The pieces on this program each contend with the “three pianist” conundrum in different ways. Some put the performers on keyboards of distinct timbres to encourage a multiplicity of sounds. Others play into the “sameness” and employ the implicit uniformity of the keyboard to create a selfsame texture.

PROGRAM:
Tristan Perich – qsqsqsqsqqqqqqqqq
Erin Rogers – Cold Countries (world premiere commission)
Wells Leng – new work, for two pianos and percussion
Erich Barganier – selections from Interstate Glitches
Matthias Kranebitter – Pitch Study no. 2
Richard An – new work, for two pianos and percussion
Yifeng Yvonne Yuan – I wrote you a letter. (A letter is what I wrote to you.)

BIOGRAPHY:
House on Fire is a new music ensemble consisting of Wells Leng, Richard An, and Andrew Anderson. Though centered around their shared focus as pianists, each member’s multi-instrumentalism allows for expanded repertoire including cello, percussion, toy piano and other keyboard instruments.

Close friends since their time at the California Institute of the Arts, the group was formally introduced in December 2021, and is dedicated to the performance of new and experimental music, as well as the work of Southern California composers, championing the music of its own members and close collaborators.

We get along like a house on fire.

House on Fire is the Piano Spheres 2025-26 Emerging Artist.

January 15, 2026

Musica Reginae presents Hypercube // Queens

Date: January 24, 2026
Time: 7:30 pm

Musica Reginae presents Hypercube: Thinking Outside the Box. Presenting works by Ricardo Gallo, XY Mike Zhou, Jason Zhang,

Saturday, Jan 24, 2026 // 7:30pm
Church-in-the-Gardens
50 Ascan Avenue
Queens, NY, 11375
More Info: Musica Reginae + Tickets

January 11, 2026

Just Rhodes Premiere – Music for Contemplation

Date: January 22, 2026
Time: 8:00 pm

On Thursday, January 22, 2026, 8:00 pm at the Old Stone House in Washington Park in Brooklyn, Andrea Lodge will premiere works for JUST RHODES, a program of newly commissioned works for a restored 1975 Rhodes electric piano in just tuning. The event will include premieres by composers Elizabeth AdamsGelsey BellChristina CampanellaJack CallahanJames IlgenfritzDan JosephErin Rogers and David Watson.

Thurs, Jan 22 // 8pm
Old Stone House
336 3rd Street
Brooklyn, NY 11215
Tickets

JUST RHODES has been four years in the making. The first idea came from Craig Shepard, while listening to Larry Polansky’s Piano Study #5. It began with a full restoration of a Rhodes electric piano: Hammers, damper arms, damper felts, tone bar screws and grommets were all replaced. Electronics soldered, and the keys squared and leveled. Then the instrument was voiced.

January 11, 2026

Tactus MSM @ I/O Fest // Williams College, MA

Date: January 16, 2026

I/O FEST 2026 – Jan 16-18, 2026
3 DAYS AND NIGHTS OF THE MUSIC OF NOW

I/O Fest is the Williams College Department of Music’s annual immersion in the music of today and a multi-day exploration of adventurous music presenting new voices, fresh perspectives, and creative modes of musical expression. Tactus (MSM’s Contemporary Performance Program) joins I/O Ensemble, and the Copland Ensemble (Queens College Aaron Copland School of Music) in multiple concerts over the 3-day festival.
Matthew Gold, Director
Jeffrey Miller, Stage and Orchestra Manager

Williams College
1000 Main St
Williamstown, MA 01267
MORE INFO

DAY ONE
FRIDAY January 16

1/16 – 4:30pm – Sawyer Library Reading Room
This performance features David Lang’s the little match girl passion which sets Hans Christian Andersen’s story ‘The Little Match Girl’ in the format of Bach’s Saint Matthew Passion, interspersing Andersen’s narrative with Lang’s versions of the crowd and character responses from Bach’s Passion. The student performers of Ephemera are directed by Anna Lenti. (performance repeats on 11/17)

1/16 – 7:30pm – ’62 Center for Theatre & Dance: CenterStage
The I/O Ensemble offers Marcos Balter’s meltDown Upshot, a magnetic mix of heady beats, catchy pop, absorbing post-minimalism, angular melodies, and fireworks of free jazz.

1/16 – 9pm – St. John’s Episcopal Church
I/O Ensemble together with organist Nathaniel Welsh ‘26 perform Voiceless Mass (2021) for pipe organ and large ensemble.
Voiceless Mass considers the spaces in which we gather, the history of access of these spaces, and the land upon which these buildings sit. In exploiting the architecture of the cathedral, Voiceless Mass considers the futility of giving voice to the voiceless, when ceding space is never an option for those in power. Voiceless Mass won the 2022 Pulitzer Prize in Music.

***

DAY TWO
SATURDAY January 17

1/17 – 4:30pm – Sawyer Library Reading Room
This performance features David Lang’s the little match girl passion which sets Hans Christian Andersen’s story ‘The Little Match Girl’ in the format of Bach’s Saint Matthew Passion, interspersing Andersen’s narrative with Lang’s versions of the crowd and character responses from Bach’s Passion. The student performers of Ephemera are directed by Anna Lenti.

1/17 – 7:30pm – ’62 Center for Theatre & Dance: CenterStage
Music for Many Musicians features music by Steve Reich and live music with silent film. Performed by I/O Ensemble, Tactus (Manhattan School of Music Contemporary Performance Program), and the Copland Ensemble (Queens College Aaron Copland School of Music).

***

DAY THREE
SUNDAY January 18, 3pm

1/18 – 3pm –  Clark Art Institute, Conforti Pavilion
The electric guitar quartet DITHER performs music from Laurie Spiegel’s The Expanding Universeas well as works by Morton Feldman, inti figgis-vizueta, Julius Eastman, and Eve Beglarian. They are joined by musicians from I/O Ensemble, Tactus, and the Copland Ensemble.
Tickets $10 ($8 members, free for college students and children 17 and under).
https://events.clarkart.edu/detail/1826

***

I/O BONUS EVENT
Thursday, January 22, 6pm

1/22 – 6pm – Clark Art Institute Auditorium
Shadow Visionaries Film Series: The Fall of the House of Usher
with new live score by Paul de Jong and Matthew Gold.
Tickets $10 ($8 members, free for college students and children 17 and under).
https://events.clarkart.edu/detail/1754

January 15, 2026

Tactus Composes // Mise-En Place, Harlem

Date: December 15, 2025
Time: 7:30 pm
Players from Manhattan School of Music’s Contemporary Performance Program (CPP) join with Mise-En Place to present a concert of new works by Ariana Varvaro, Amber Dai, Tiffany Leard, Joe DeAngelo, Lauren Galarraga, Mihail Babus and Grace Goss, performed by the premier Tactus Ensemble.
Tactus Composes
Mon, Dec 15 // 7:30pm
Mise-En Place
40 St. Nicholas Ave, NYC
FREE

More info:
https://www.mise-en.org/place/

 

November 28, 2025