I’ll be playing piano and singing for most of November. If you’re in the neighboring apartment, I apologize. Otherwise, I promise you’re going to love this new look.  There are 10 chances to catch Thomas Paine in Violence presented by HERE Arts Center in association with thingNY.  Tickets start at $25. Get them HERE!

HERE Presents Thomas Paine in Violence TICKETS: Mon. Nov. 6 – 8:30pm Tue. Nov. 7 – 8:30pm Thu. Nov. 9 – 8:30pm Fri. Nov. 10 – 8:30pm Sat. Nov. 11 – 8:30pm Sun. Nov. 12 – 8:30pm Wed. Nov. 15 – 8:30pm Thu. Nov. 16 – 8:30pm Fri. Nov. 17 – 8:30pm Sat. Nov. 18 – 8:30pm HERE Arts Center in association with thingNY. Thomas Paine in Violence is an electronic psychedelic opera-sermon set in a radio station in the afterlife of the Founding Father and international activist. Joan La Barbara portrays Paine struggling to broadcast a message of economic justice amidst a whirlwind of lightning-quick singing, autotuned shock-jockery, gadgets, voices, instruments, and sonic chaos. Created, Written, and Scored by Paul Pinto Directed by Rick Burkhardt Scenic Design by Carolyn Mraz Lighting Design by Jeanette Oi-Suk Yew Sound Design by Philip White Choreographed by Chloe Treat Sound Engineered by Gus Callahan Production stylist Aliza Simons Stage Managed by Alex B. West Starring: Joan La Barbara, Christian Luu, Andrew Mayer, Paul Pinto, Eddie Rodriguez Jr., Erin Rogers, Mélanie Genin, Andrew Livingston, Pat Muchmore, Kate Sloat, and Jeffrey Young Additional words by Rick Burkhardt Electronic score developed with assistance by Miguel Frasconi Huge thanks to Ne(x)tworks, thingNY, The Industry, and Experiments in Opera for developmental support. Photo by Benjamin Heller, graphic design by Katie Dean

I’ll be playing piano and singing for most of November. If you’re in the neighboring apartment, I apologize. Otherwise, I promise you’re going to love this new look.  There are 10 chances to catch Thomas Paine in Violence presented by HERE Arts Center in association with thingNY.  Tickets start at $25. Get them HERE!

HERE Presents Thomas Paine in Violence TICKETS: Mon. Nov. 6 – 8:30pm Tue. Nov. 7 – 8:30pm Thu. Nov. 9 – 8:30pm Fri. Nov. 10 – 8:30pm Sat. Nov. 11 – 8:30pm Sun. Nov. 12 – 8:30pm Wed. Nov. 15 – 8:30pm Thu. Nov. 16 – 8:30pm Fri. Nov. 17 – 8:30pm Sat. Nov. 18 – 8:30pm HERE Arts Center in association with thingNY. Thomas Paine in Violence is an electronic psychedelic opera-sermon set in a radio station in the afterlife of the Founding Father and international activist. Joan La Barbara portrays Paine struggling to broadcast a message of economic justice amidst a whirlwind of lightning-quick singing, autotuned shock-jockery, gadgets, voices, instruments, and sonic chaos. Created, Written, and Scored by Paul Pinto Directed by Rick Burkhardt Scenic Design by Carolyn Mraz Lighting Design by Jeanette Oi-Suk Yew Sound Design by Philip White Choreographed by Chloe Treat Sound Engineered by Gus Callahan Production stylist Aliza Simons Stage Managed by Alex B. West Starring: Joan La Barbara, Christian Luu, Andrew Mayer, Paul Pinto, Eddie Rodriguez Jr., Erin Rogers, Mélanie Genin, Andrew Livingston, Pat Muchmore, Kate Sloat, and Jeffrey Young Additional words by Rick Burkhardt Electronic score developed with assistance by Miguel Frasconi Huge thanks to Ne(x)tworks, thingNY, The Industry, and Experiments in Opera for developmental support. Photo by Benjamin Heller, graphic design by Katie Dean

I’ll be playing piano and singing for most of November. If you’re in the neighboring apartment, I apologize. Otherwise, I promise you’re going to love this new look.  There are 10 chances to catch Thomas Paine in Violence presented by HERE Arts Center in association with thingNY.  Tickets start at $25. Get them HERE!

HERE Presents Thomas Paine in Violence TICKETS: Mon. Nov. 6 – 8:30pm Tue. Nov. 7 – 8:30pm Thu. Nov. 9 – 8:30pm Fri. Nov. 10 – 8:30pm Sat. Nov. 11 – 8:30pm Sun. Nov. 12 – 8:30pm Wed. Nov. 15 – 8:30pm Thu. Nov. 16 – 8:30pm Fri. Nov. 17 – 8:30pm Sat. Nov. 18 – 8:30pm HERE Arts Center in association with thingNY. Thomas Paine in Violence is an electronic psychedelic opera-sermon set in a radio station in the afterlife of the Founding Father and international activist. Joan La Barbara portrays Paine struggling to broadcast a message of economic justice amidst a whirlwind of lightning-quick singing, autotuned shock-jockery, gadgets, voices, instruments, and sonic chaos. Created, Written, and Scored by Paul Pinto Directed by Rick Burkhardt Scenic Design by Carolyn Mraz Lighting Design by Jeanette Oi-Suk Yew Sound Design by Philip White Choreographed by Chloe Treat Sound Engineered by Gus Callahan Production stylist Aliza Simons Stage Managed by Alex B. West Starring: Joan La Barbara, Christian Luu, Andrew Mayer, Paul Pinto, Eddie Rodriguez Jr., Erin Rogers, Mélanie Genin, Andrew Livingston, Pat Muchmore, Kate Sloat, and Jeffrey Young Additional words by Rick Burkhardt Electronic score developed with assistance by Miguel Frasconi Huge thanks to Ne(x)tworks, thingNY, The Industry, and Experiments in Opera for developmental support. Photo by Benjamin Heller, graphic design by Katie Dean

University of Arizona Saxophone Day

November 5, 2017
Holsclaw Hall
1017 N Olive Rd, Tucson, AZ 85721
All Events Free

​Ogni Suono is the featured guest at the UA Saxophone Day, hosted by Dr. Edward Goodman. All events are free and open to the public.​

​9:00am | Master class – Holsclaw Hall
3:00pm | Chamber music clinic – Room 232
4:00pm | Concert: SaxoVoce – Room 146

​SaxoVoce
New works exploring the wide-ranging ways of synthesizing saxophone and voice by Felipe Lara, Christopher Dietz, Erin Rogers, Zach Sheets, Chris Fisher-Lochhead, and Dave Reminick. From haunting whispers to nonsensical shouts, each composer uniquely integrates the human voice.

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Arizona State University

November 3, 2017
7:30pm
Katzin Concert Hall
50 Gammage Pkwy, Tempe, AZ 85281​
​$9 | $5 students

SaxoVoce
New works exploring the wide-ranging ways of synthesizing saxophone and voice by Felipe Lara, Christopher Dietz, Erin Rogers, Zach Sheets, Chris Fisher-Lochhead, and Dave Reminick. From haunting whispers to nonsensical shouts, each composer uniquely integrates the human voice.

Master class at 5pm

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