Hypercube: US premiere of Eric Wubbels’ Voided Cross (for Michael Heizer) + works by Rogers, Deyoe
Tuesday, May 7 / 8:00pm
Cary Hall, Dimenna Center for Classical Music
450 W 37th St, New York, NY 10018
Tickets: $15 / Eventbrite.com
Tuesday, May 7 / 8:00pm
Cary Hall, Dimenna Center for Classical Music
450 W 37th St, New York, NY 10018
Tickets: $15 / Eventbrite.com
thingNY is proud to present the three-show premiere tour of You Must Read a Lot of Jung, a brand new work written for the ensemble by member Dave Ruder, scored for voice, violin, clarinet, tenor sax, cello, and cymbal. Slow and spacious, Jung works over themes and ideas from previous thingNY pieces written by members of the group. Performances will take place in Hamden, CT, Queens, NY, and Philadelphia, PA on May 3-5, 2019.
At the New York stop on the tour, the ensemble is also very excited to premiere a new duo co-written and performed by members Gelsey Bell and Erin Rogers, SKYLIGHGHT for voice and saxophone. The piece is written to be performed in resonant spaces, and explores the acoustic properties of such spaces and of the voice and saxophone themselves.
May 5, 2019
8pm
Vox Populi
319 N 11th St, 3rd floor, Philadelphia, PA
Presented by Fire Museum Presents
$8-10 sliding scale
with Erik Ruin’s Ominous Cloud Ensemble
thingNY is proud to present the three-show premiere tour of You Must Read a Lot of Jung, a brand new work written for the ensemble by member Dave Ruder, scored for voice, violin, clarinet, tenor sax, cello, and cymbal. Slow and spacious, Jung works over themes and ideas from previous thingNY pieces written by members of the group. Performances will take place in Hamden, CT, Queens, NY, and Philadelphia, PA on May 3-5, 2019.
At the New York stop on the tour, the ensemble is also very excited to premiere a new duo co-written and performed by members Gelsey Bell and Erin Rogers, SKYLIGHGHT for voice and saxophone. The piece is written to be performed in resonant spaces, and explores the acoustic properties of such spaces and of the voice and saxophone themselves.
May 4, 2019
6pm
Artefix
38-02 61st St, Woodside (Queens), NY
$10
This show also includes the premiere of SKYLIGHGHT by Gelsey Bell and Erin Rogers!
with softboarding
thingNY is proud to present the three-show premiere tour of You Must Read a Lot of Jung, a brand new work written for the ensemble by member Dave Ruder, scored for voice, violin, clarinet, tenor sax, cello, and cymbal. Slow and spacious, Jung works over themes and ideas from previous thingNY pieces written by members of the group. Performances will take place in Hamden, CT, Queens, NY, and Philadelphia, PA on May 3-5, 2019.
At the New York stop on the tour, the ensemble is also very excited to premiere a new duo co-written and performed by members Gelsey Bell and Erin Rogers, SKYLIGHGHT for voice and saxophone. The piece is written to be performed in resonant spaces, and explores the acoustic properties of such spaces and of the voice and saxophone themselves.
May 3, 2019
7pm
Waterhouse
(a house venue)
23 Woodbine St
Hamden, CT
Entry by suggested donation
with Anne Rhodes and Adam Matlock
Delighted to be joining Tenth Intervention and a stellar lineup of musicians as they performs works by American composers, including a world premiere of Nathan Hall’s “Reading the Landscape,” a book of graphic scores composed while on residency this fall in Seyðisfjörður, Iceland.
Program:
Matt Welch: Cumha Na Marbh for string quartet
Daniel Tacke: a quiet and lingering violence for alto sax and accordion/piano
Beth Wiemann: Crowded Sourcing for violin and tape
Nathan Hall: Portals for soprano sax and tape
Skip and Slumber for violin and piano
Reading the Landscape for soprano sax, violin, & piano
Ensemble:
Erin Rogers, saxophone
Adam Tendler, piano
Andrea Lodge, piano
Hajnal Pivnick, violin
Lynn Bechtold, violin
Carrie Frey, viola
Jisoo Ok, cello
Thursday, May 2 // 8pm
Dimmena Center for Classical Music
450 W 37th St
New York, NY 10018
TICKETS: $12 HERE
Funding for the performance is made possible with the support of the American Composers Alliance and by New Music USA, made possibly by annual program support and/or endowment gifts from Helen F. Whitaker Fund & Aaron Copland Fund for Music.