Hypercube joins students from Berklee’s Composition and Electronic Production and Design Departments once again, performing new works for instruments and electronics.
Concert no. 2: Columbia Composers x International Contemporary Ensemble (ICE)
New works by Kristupas Bubnelis, Artun Çekem, Ihlara McIndoe, Alyssa Regent, Marcus Rock, and Corie Rose Soumah
March 24, 2026 at 6:30PM
St. Paul’s Chapel at Columbia University
1160 Amsterdam Avenue
New York, NY
Talujon Percussion and Popebama team up for a double bill of experimental new music for percussion, instruments + electronics
Saturday, March 14, 2026 // 7:30pm
So Percussion Studio
20 Grand Ave – Brooklyn, NY 11205
FREE // More Info
Popebama:
Praxis* – Dennis Sullivan
In Memoriam, Dave Mustaine – Popebama (Erin Rogers + Dennis Sullivan)
Basket Case – Erin Rogers
Talujon
Recah Pecahan – Dewa Alit
Made in Canada – Erin Rogers
Pulsating skin – Justina Repečkaitė
The International Contemporary Ensemble returns to Roulette to celebrate the World Premieres of this season’s Call For___ composers. This year’s composers are Lester St. Louis and Camila Agosto.
Wed, Mar 11 // 8:00 pm
Roulette
509 Atlantic Ave
Brooklyn, NY
More Info/Tickets:
International Contemporary Ensemble: The Shape of Forgetting
A thingNY Production // Presented in association with Amanda+James, Anti-Social Music and MATA
Plucked from the tradition of the medieval storytelling bard, MANO A MANO is an operatic monodrama about toxic masculinity, needling Anglo-Saxon epics with personal anecdote, pseudo-history, Antonio Banderas movies, tangents about the Romans, boxing, and stories about New Jersey.
Writer/performer Paul Pinto embodies all the characters across a five-octave range of timbres: sweet, throaty and viscerally guttural. Posing the question “what if Sir Gawain and Beowulf were fighting over killing the same dragon?” he answers with ninety minutes of virtuosic chants, rants, song and spectacle, as he bobs and weaves between passages of puckishly quick verbiage and aching melancholia. Director Kristin Marting stages it in the round with the audience immersed in the action, surrounded by a mix of wild saxophone and percussion improvisation.
Written, Composed and Performed by Paul Pinto
Developed with and Directed by Kristin Marting
Lighting and Projection Design by Jeanette Oi-Suk Yew
Sound Design and Mixing by Philip White
Associate Lighting Design by Alex deNevers
Performed with Erin Rogers (sax), Zach Herchen (sax), and Dennis Sullivan (percussion)
Line Produced by Amanda+James
Production Managed by Erica Schnitzer
Technical Directed by Ben Elling
Stage Managed by Katie Scibelli